
I tried to come up with realistic occupations—something with computers. Data entry, wasn’t that some sort of job? Customer service, maybe? I’d seen a movie once where a woman walked dogs for a living, dressed in overalls and sweater sets and always holding flowers, the dogs slobbery and loving. I didn’t like dogs, though, they scared me. I finally thought, of course, about farming. Our family had been farmers for a century, right down to my mom, until Ben killed her off. Then the farm got sold.
I wouldn’t know how to farm anyway. I have memories of the place: Ben mucking through the cold spring mud, swatting calves out of his way; my mom’s rough hands digging into the cherry-colored pellets that would blossom into milo; the squeals of Michelle and Debby jumping on haybales in the barn. “It itches!” Debby would always complain, and then jump in again. I can never dwell in these thoughts. I’ve labeled the memories as if they were a particularly dangerous region: Darkplace. Linger too long in an image of my mom trying to jury-rig the blasted coffeemaker again or of Michelle dancing around in her jersey nightgown, tube socks pulled up to her knees, and my mind would jerk into Darkplace. Maniacal smears of bright red sound in the night. That inevitable, rhythmic axe, moving as mechanically as if it were chopping wood. Shotgun blasts in a small hallway. The panicked, jaybird cries of my mother, still trying to save her kids with half her head gone.
